Sunday, November 10, 2013

Closing out the year.

Feeble harvest.
The upside of not having written in a while is that I have been preoccupied with books, audio and text.  I think that to be at all happy in life, I need one or the other at all times- ideally both, but when I'm demanded to constantly think at my job the balance skews wildly to indulging in words I didn't have to string together.  I get pretty sick of thinking under deadline and teaching other people how to think.

Today is a day OFF!

At 6:30 Dave made the coffee, fed the cat, and then both came back to bed, and I fell back asleep sandwiched between husband and cat to the strains of From Eternity to Here: The Quest for the Ultimate Theory of Time.

Perfect.  Happy household sleep-in sandwich, and someone's voice in my ear teaching me new ways to think about time.   Woke up again at 8:30 to let out the chickens, who were still up in their roosts, unimpressed by the damp weather.

A little light Lemony Snicket on my iPad with coffee and warmed up pizza, and now to figure out the day, without having to think about or run a rehearsal.

In news updates, in the last month our kitchen made two passive aggressive demands for updates, leading to the installation of new faucet fixtures and track lights.  I did some minimal, yet noticiable painting on the exterior of the house.

One chicken laid two eggs- pictured above, but has since gone on strike.  I think she's not particularly happy with the change in season.  I also worked my way through our weed-infested garden, and harvested our shallots, also pictured above.

Our garden is a sad, wild place now- a testament to my summer's depression, when I couldn't focus on my work, but also felt too guilty to do anything not work related.  My garden is too public- on view to the main street and right across from the school.  And there's that one teacher, who sits on my board... the type of person who has fallen into the habit of back-handed compliments and damning with faint praise.  If my paranoia could be anthropomorphized, it would take her shape- "it must be nice, having the time to keep up a big garden..."

I just did not want to be seen, by anyone, for any reason.  If I went out, it was into the back yard, where I had my whole big lovely Maine Etc. house to shield me. (Big house, little house, back house, barn!)

So the garden sat neglected.

Big beautiful borage volunteers, giant ferny dill, tomatoes, slinking, spreading for want of support, one tidy row of rainbow chard.  A whole corner where grass invaded and grew to full height.  We did have a successful potato harvest- a highlight of the season, with both of my parents in attendance.

If the first summer of the garden was a step forward, this last summer was two steps back.  But even in our new wasteland embraced by the deer fence, there is still beauty.  I am very fond of that borage- and a good thing, since I will likely have to fight it now for years.

I am pleased to be back on my feet, with a whole quarter of the new school year behind me.  I am tired yes, a bit exhausted, yes.  But depressed?  No longer.

I bought spring bulbs, I've turned the now impressive compost piles, and I have no fear of being seen, planning and planting.

I just have to make the time.


Monday, October 14, 2013

A Little Away

A very fast two week gap in posts has occurred- business and pleasure conspired to keep me from my post.  Nice to reintroduce the latter to my life.

Last weekend, Dave and I managed a miniature escape with my parents aboard Dad's great project, the Beatrice Helen.

For brevity, I will rely on the photos to recount the excursion.

Embarking with the last minute details...

Motoring out of Flander's Bay, towing the Luna Sea- just in case

Off of Schoodic Point.  Still.  No. Wind.  F/V Barbara Jean off the Starboard. 


Hooking up with Slugger (Captain) & Bio-Dad (sternman)
Kitchen comedy: turns out the pots were too small for the contents: so we returned the lobsters.  

Shore excursion to Schoodic Island
Home to mink.  (Scat identification is one of Dave's many fine qualities) 

Driftwood & Detritus

Resting place.
Bleaching.

The Beatrice Helen abides.
Rugosa hole.

Hips & buoy

Three on the strand.

Cormorants: Chaos in migration.

Heft.

Salt.
Plunder.


Competitive walking stick collecting.

Pushing off the seawall.

Supper time.  Schoodic salt in the blue bowl on the table.

Mid-morning on Sunday- Dave, a Pile of Sleep in the Aft Cabin.

Sights & Seers.

Table-top.

Back on the mooring.


Proof I was there too!:





Sunday, September 29, 2013

Post Script

After completing "Oh Well, Maybe Next Year," I went to go get ready for the day.  While my mind was occupied thinking about what in god's name I am going to do with the theater program, and how I will explain the show change to the auditorium's steering committee when we meet this week, etc...
My body did the following:

I took off my glasses.
I walked to my contact case, opened it, threw the contents in the trash.
I went back to my dresser, put the case down on the bureau.
I put my right hand to my right eye to try to take that contact lens out.
I tried this three times, my to the dismay of my right eye.
I realized I had no contact lens in my eye because this was the Morning, the time when I am supposed to be putting them IN.  Not discarding old solution and taking them out.

So I tried to pick up the contact out of the case.
Three times.
I couldn't get it.
I squinted, and brought the case myopically close to my face.

My mind broke in with: "WTF, I clearly had not used enough solution the night before."

I added solution to the case, to moisten the lenses.
Still I couldn't get them out.
I looked even more closely.  There were no lenses.

I walked to the trash.
There were lenses.

I am, at best, a cross between Mr. Magoo and Sister Mary Amnesia.

Oh Well, Maybe Next Year

Each family has its sayings right?  Here's a little sampler from mine:

Oh dear,
bread and beer,
if I were dead,
I wouldn't be here.

Home again,
home again,
jiggety jig.

Oh well, maybe next year.

There's a certain fatalism that runs through them- even the "home again" meme is easily read as sneering.  I see Olga from The Three Sisters: she comes home from a long day headmistressing, envisions her beloved Moscow, then opens the door on the family house in the sticks.  Wooden-faced and in a Russian accent: "home again, home again, jiggety jig"- and she crosses the threshold as if she's wearing shackles under her skirts.

Okay, obviously she'd be saying it in actual Russian, but the readership of this blog is primarily Anglophone.  Hence- just the accent.  Unless she says it in French, which was still actually the lingua franca of the time: "chez moi, chez moi... dancety, dance..."

Je n'ai pas apprendé le mot pour "jig" en école.  Mais, je souvien le mot "fenêtre!"... je ne sounvien pas le mot pour "ceiling."  C'est "le mur sur la chambre."

Why say in one word what you can explain with five?  That's the guiding principle in all of my writing.

Ma vie, ce que d'un demi-horreur...

Apologies for going down the rabbit hole of theatrical literary reference, it is an occupational hazard.  In scene studies of The Three Sisters, I always ended up playing Irina, on the verge of crumbling to pieces due to lack of intellectual stimulation...or early onset Alzheimer's.  Where was I?

Fatalism that tracks back through the maternal branches of my family tree.  Such a dour topic, why on earth did you remind me?  Fools, I love you.  Visit me in the Island Nursing Home when my time comes.

Yesterday I spent a lovely day, with lovely people, on a lovely boat, in a lovely wind, in the lovely sun:

Oh Maine, bread and champagne,
If I were dead,
It'd be a shame.

And yet...

Today I woke with a student-carried cold sent to plague staff, and on the brink of swapping out a show I truly adore, "The Illusion," for a shorter, smaller-cast play that is made of baser stuff.  In our island school the sports programs have the gravitational pull of the moon on our tiny student sea.  The theater program has the gravitational pull of a communication satellite.

The Illusion required 8 students to flesh out the cast, each requiring only a pulse.  Well, a pulse, and in one or two cases, a Y chromosome.  5 students bothered to show up for the scheduled auditions- auditions I scheduled around soccer practice.  They told me tales of other students who were interested, but who thought they'd prefer to just set up a better time to audition later.

Oh, Millenials.  I look forward to competing with you in the job market in the coming decades, when I am not financially able to retire, and you are not constitutionally able to show up when you aren't "feeling it."  Even my befuddled wanderings will show more purpose.

In the meantime it is in my damned job contract to put productions up on the damned stage.  I have an opening night date for the Fall, and I have to meet it.  I did finally get 8 students- the process of wrangling a cast ate over a week and a half of what should have been rehearsal time.  Then I got the email... "Sorry, but I don't think...."

Well, hell.  It's even in the damned script of the Illusion: "You never can tell, when you start these things, how they'll go-"

The rehearsal timer ran out for that show- a show that did actually engage the students, because the show has everything you could wish for: sword fighting, succulent complications, shifting realities, sweet-ass costumes.  Language saturated with meaning and allusion. But a show that complicated needs time, especially with student actors.

I am tilting at windmills.  Time to admit it.

Today I will meet with the remains of what would have been the Illusion's cast, and to them I will say "Oh well, maybe next year."

And for now we'll pick up a slighter show, a lighter show- flat and inelegant in comparison.

"Want, yes; but want less."

I am home again, home again.

Jiggety, jig.





























Wednesday, September 18, 2013

Damn You, Cat.




Damn you and the bed you slept in on.


Minding the Gap

This year will mark the 75th anniversary of the Deer Isle-Sedgwick bridge (or depending on where you live- the Sedgwick-Deer Isle Bridge; or your worldview- the Deer Isle Bridge).  In celebration, and working with Opera House Arts, the Elementary School will be doing all sorts of local history stuff throughout the year, culminating in a mural unveiling and performance in the spring.

On Monday, the whole school made a visit to the bridge, to see it up close and personal, and to listen to an engineer from the DOT talk about its structure and the maintenance it takes.  He had asked us to show this video of Gallopin' Gertie prior to the visit, but the teachers deemed it too traumatizing.


How long will you hold out?  The suspense is killing me.

It makes me want to weep for a world that doesn't understand or allow for the grim fascinations of small children.

So a very few of them might develop a phobia of going over our bridge.   What's that compared to 1940s footage that deftly illustrates aeroelastic flutter? - A concept which I haven't bothered to research enough to completely understand, but LOVE TO SAY.

What was interesting was how the engineer described the bridge as a "forever bridge."  He wouldn't even make an outside estimate of its lifespan- simply explained that the state would invest in a rigorous maintenance schedule, because she's in fair condition, and it would cost over 100 mil to replace her...

The tacit implication being that the state wouldn't ever do so.  The Eggemoggin Reach is no Penobscot Narrows, vital to Route 1 travel.

But everything has a lifespan.  This monument of steel and concrete can't be forever

Shelley pointed out the non-eternal nature of construction quite well, then buggered off on a boat to die young (which must have totally Bysshed off Mary Shelley*).

How long til this bridge is in ruins?  We (I) grew up with the bridge and endowed it with the unthinking assumption of permanence:  It has been, It shall always be.

I never gave much thought to what confluence of historical forces(micro and macro) brought the bridge about- there is a bridge, so of course the island MUST be important enough to warrant it.

Now with this local history project underway, I am looking at the bridge with new eyes, seeing it not as a natural extension of the landscape, but as an alien structure- a fluke, strange and wonderful.  Having lived on an unbridged island for four years, I have a very keen feel for what life can be like in a world dependent on ferry service.

How interesting to imagine a future or remember a past for without this beauty in Bridge Green spanning the Reach...




* Are jokes like these the best or worst argument for a liberal arts degree?  Discuss.



Sunday, September 15, 2013

On Feedback

The first full week of school, here and gone.  It was also the first Friends of the Reach steering committee meeting.  In my evaluation, I was told I was too abrupt, cold, distant, too high-handed with them.  They are volunteers, so they must be appreciated.

Once upon a time, far away on an island, I used to bake for people.  I used to be quite good at it, and it is amazing what a well turned scone will do to even the toughest temperament.  I generally felt like I was held in minimal esteem by some of the more outspoken members of the committee, and my learning curve did nothing but frustrate them.  So it's true, I had not felt particularly appreciative toward them.  At the heart though, they were disappointed in my work, and that's on me for not doing it well enough, and not communicating well enough.

Plus, there are new members- members who are lovely and kind.

So I baked.  Do I feel like a man in my position, especially one with more years on him would have been hammered on an eval for being abrupt, or cold?  Does it help that I am a small female who looks almost a decade younger than she is, and is the youngest one in the room to begin with?  Nope.

Soft power tactics.  Is it a cop out?  Maybe.  Will it be effective?  Probably not.

Did it put me in a better frame of mind, allowing me to view the committee as family coming into my house?

Yes.

Last year at the Kennedy Center Conference, Michael Kaiser talked about how non-profit institutions function best if they feel like a good family, if they feel like home to members, donors, employees, artists.  If there's a warmth to to the place.



Since I am the entirety of the paid staff of the Reach, that warmth has to irradiate from me.

I have been away from that far off island for 19 months physically, but spiritually it has been closer to four years.  That's when I stopped baking.  No time to pass the time, you see.

When I cracked the spine of my preferred baking book, the scone page was covered with cooking grit, and Sunkist stickers.  Hello, old friend.  When I tried to cut the butter into the dry ingredients, I nearly killed Dave; the potential energy of the cutter wires finally overcame the nut holding the tool together, and the nut shot off like a bullet from a gun.  Dave eventually found it in the dining room.

My preferred scone is orange-cranberry.  The cranberries were easy to come by: I still had two ziplock bags full of them in the freezer from the last time Dave and I had gone picking on the island.  The beautiful truth about cranberries is that they freeze marvelously.  They'd spent untold hours in the back of three freezers as we made the move from house, to house, to house, and yet they were still in prime shape.

As I worked, I worried that I had lost my touch for baking, that the outcome of my effort would be more akin to stones than scones.  Busted pastry cutter or not, it all worked out.  The scones were decidedly edible.

I confess, I have no proper way to measure the effect on the committee.  I felt better through the meeting, it was easier to listen and be open to their opinions, concerns, criticisms, etc.  Additionally, my soul is a little lighter for having created something of substance, of reconnecting to a way of life I enjoyed, though it was long ago and far away.  They put me at ease.  There was a thank you gift on the table to remind me that gratitude is a good habit of life to get into.

On Monday (or more likely Tuesday), I will sit down for a meeting with the principal who says he has some feedback about the meeting that he thinks I will find useful.

Feedback.  So crucial to the artistic process, but such a tricky thing.  I have to be constantly willing to take it from anyone and everyone.  Each of the members of this committee cares deeply about the Reach, about the community, about the kids.  When they speak, they speak from a shiny place of hope and dreams, and they are articulating how the Reach should feel like home.  Each has a particular angle, a particular care, wants to make sure I am catering enough to everyone.

I honestly don't know that I can.

Strike that- given enough time in the position, I could build the necessary relationships and programs, I could grow.  I honestly believe I have the potential.  I do know I do not have that kind of time, and that they have no patience for bromides about how a major empire was not built in a day.  If feedback were fertilizer, we'd be in business; except that it's not been particularly measured, or balanced.

This whole journal is an attempt to recover from root burn.

The best feedback leaves you feeling energized, joyful, ready to run in an improved direction.  How much of that is there going around, I wonder?  I took the meeting in stride at the time.  But yesterday I spent most of my time on the boat with Dave planning an escape from the job and the committee.  I want to be able to focus, and have control over the shape of my work, the timeline, and feedback... this is to say I would rather be creating- written pieces, and digital storytelling.

Honestly, I think I wake up every day more and more certain that I would be better off spending time working for myself, because I have a much better idea of what my optimal growing conditions are than the committee who loves the Reach.  They are forever committing themselves to the growth of the Reach, while not being very smart about the growth of the person whose job it is to bring the programs to fruition.  It's like looking at a rose bush you just put in the ground and telling it "bloom damn you, and you need to throw multiple blooms at the same time, they need to be different colors, and all fragrant."  Then when it is throwing energy into leaves and stalks,  dismissing it for not being a rose bush.  Oh, the impatient and highly involved gardeners.

The sad truth is that the Director is the Reach, that's how the job is designed.

Am I a rose?  Yes.  I certainly am.  Am I the right variety for this job?  Likely not.  I am too slow growing, and don't grow well when given too much attention.

Rhapsody in Blue

Yesterday I pulled myself out of bed early, early, early and put on my fishing boots.  It was the third time this year that I have managed to get out on the boat with Dave, and my body was not really on board with the process, as the first full week of school hit me a little bit like a load of bricks.

Then again, I think most school weeks hit most educators like that.

So at the week's end, the 7 year-old in me really felt like I should be sleeping in and then watching cartoons.  My 33 year-old self reminded me about a certain resolution about improving my work/life balance, and how time on the boat with Dave had been identified as an important part of that balance.

Rargh, it was 4 o'clock, grumble, grumble.

When I opened up the chicken coop before we left, the sky was full dark and awash with stars.
When we arrived at Shafty's, the harbor was thrumming with the low murmur of marine engines, and the water dotted with cabin lights.  A sea alight with fireflies.  While Dave went into the building to pull some cow hide out of his barrel, I stopped to breathe, to watch, to enjoy early morning open-air work that doesn't involve a lot of talk.

The joys of being both sternman and wife.
You finish the coffee on your own terms.

A bit of a balm after a week full of afternoons and evenings in committee meetings.

We got to the boat, put on gear, and prepped for the day.  Steaming toward the first string, I dropped red fish into bait bags, careful of their spines, and a morbidly bemused by their giant eyes.  The sky began to lighten in the east, and I would turn to the west: as ever a fan of the dark, the quiet, the gentility of a world asleep.  This is the romance of fishing- the first hour.  When you still have coffee, and you are tired from waking up, but not tired from the day's slog.  Regardless of the weather, dawn is always a miracle.

Dave took this photo:

Color and light










                I took this one:
Clinging to the last vestiges of the dark.


He faces East, I face West, and we muddle along with a fuller view for being together.  Which is why it is nice to actually be in each other's company.  It will surprise no one that while Dave spent the day concentrating on the work at hand (since he's the one who actually does the thinking and the operating of the heavy machinery), I spent the day in my head plotting elaborate escapes from public employment- when I wasn't mentally reciting "one fish, two fish, red fish, blue fish" in honor of the day's bait.  

This morning, we slept in- when Dave came down, I'd already made the coffee, and had started to journal about work, and shared the thought:

"I much prefer having you as my boss to having a whole committee and tax roll of employers."

"Well, when you're on the boat, I am not really your boss, wifey."

"Exactly."



Friday, September 13, 2013

Daughter-in-Law Ham Mess

It is Friday, the first full school week is over-

and speaking of over, it is overcast, and it's been seriously overcast and raining, which means one thing:

NPR, wine, and cooking.

Yep, how aspiring middle class can you get?  I accept this about myself.  Tonight NPR delivered a high(ish)-culture approved version of "We Won't Stop." You just have to do it doo-wop style, and then the insane catchiness is okay.  No more cognitive dissonance.  Thanks NPR!  <3  I'll file Postmodern Jukebox with the Vitamin String Quartet under "music for people who think they are too old for pop music."  Trust me, it works. Bonus: you'll note on the PMJB video there are actual black people singing.

Back up.

Yeah.  Moving on.

You can tell I am not into rehearsals yet, because I have the energy to cook.  It's a wondrous thing.  It's a good day for comfort food, and in this case, approximating Dave's ultimate comfort food: ham mess.  Happily, his mom makes it every time she comes to the island, or every time we make the trip to NH.

The name's humble, but the dish helped me overcome an illness-related aversion to asparagus.  It wasn't until the last visit Bobbie made to the island (carting two pans of the casserole) I realized the truth

This is basically Croque Monsieur in casserole form.

Damn it, I was going to post the recipe, but I have spent so much time on a tangent, the food is ready and I should eat before my 30-something metabolism shuts down for the night!

Here's my love for Dave made manifest in bechamel, ham, bread, and broccoli:



Wednesday, September 11, 2013

Course Correction

It's an odd thing, picking up where you left off over a year ago-

So after the move from Isle au Haut, and the purchase of a new house, I began a new blog.  Thus far, in my history as a web logger (pause to think of peavees, flannels, and axes... and the Monty Python Lumberjack song)...

And we're back.

My blogging history.  Each blog took its name from what ever domicile I happened to call home- the house with the view, the saltbox, and now our farmhouse.  Starry-eyed with dreams of a well balanced life, I titled this "The Boards, the Boat, and the Barn."  The title assumed that those three things would have something to do with my daily reality.

Yes, I would work in the theater- a given, since it'd help pay the mortgage.
I would still manage to get out on the water.
I would enjoy the domestic life that comes with 5 acres, an old house, and a barn.

The creation of the blog assumed that I would actually experience and then write about those things. Then the world let out an 18 month

                                  Snicker.

The choices of what to do and what not to do were mine, certainly.  But how I led my life failed in any way to reflect those assumptions- or should we call them hopes?

Since taking my job, I have had a growing sense that I misplaced myself somewhere in all of the movement.  That under a box of flotsam in the back of a closet, or maybe down in the basement, there's the core of who I am, trying not to mildew.  A living salary and health benefits have made me so dreadfully serious.  Because the job is creative, it is personal: Because the job is public, it is painful.  So many strings attached.  I have made my own prison out of the position- the job requires leadership, and I have kicked and screamed the whole way, since I prefer quiet and anonymity- to tinker in the background.  I am very much my own enemy, and this year will tell whether or not I can actually come to peace with the social and political aspects of my work.

I've been all consumed with it.

No boat.  No barn.

All boards, and I have pretty much just been bleeding on them.

It's not how I want to live- so, Morgan- how are you going to fix it this time?










Monday, September 9, 2013

Where Was I?

Hmmm.  Blog block.

Once upon a time, I wrote quite a lot.
That was a happy time.

Then I managed only to chronicle the slings & arrows in my journal, a few times a month at best- old fashioned, private.  Pen, ink, paper.  Moments stolen from work, in an attempt to cling to sanity and sense of self.

It was a less happy time.  Correlation, causation: tomayto, tomahto.

So I have been absent from the blogging scene, minimal though my presence was to begin with.  And this post- this is just a teensy foray, a tiny pebble cast into a giant sea, for the sheer pleasure of it.

Plink.  Plop.  Plunk.

Once I wrote, once I took photos.

Today, I start again.